Mail

Lore & Background

The word 'mail' comes from Middle English 'male', meaning a travelling bag or pack, and was spelled that way until the 17th century. The French have a similar word, 'malle', for a trunk or large box. In the 17th century, 'mail' began to refer to a bag containing letters, and over the next hundred years it came to mean the letters themselves. In the 19th century, the British used 'mail' for letters sent abroad and 'post' for domestic delivery. The term 'email' first appeared in the 1970s, and 'snail mail' is a retronym distinguishing it from quicker email. The first credible claim for a real postal system comes from the Achaemenid Empire, attributed by most historians to Darius the Great, who rebuilt the Royal Road and established the Chapar Khaneh relay system. The Persian system used stations called Chapar Khaneh, where couriers swapped horses for speed. Herodotus described it as being stayed by neither snow nor rain nor heat nor darkness. This system influenced the Roman cursus publicus. Rome's cursus publicus, organized under Augustus Caesar, used light carriages and fast horses for government correspondence. The Mongol Empire under Genghis Khan installed an empire-wide messenger system named Örtöö.

Reader's Guide

Mail systems have been fundamental to the administration of empires, the conduct of trade, and the maintenance of personal connections across distances. From the couriers of ancient Egypt and Persia to the state monopolies of the modern era, postal services have evolved to meet the needs of governance and commerce. The Persian system's efficiency, praised by Herodotus, became a model for the Roman cursus publicus and later influenced European postal networks. Postal authorities have also taken on additional functions, such as handling telegraph and telephone services, savings accounts, and passport applications. The development of email in the 1970s and the subsequent retronym 'snail mail' highlight the enduring role of physical mail even in an age of electronic communication. The history of mail reflects broader technological and organizational advancements, from horse relays to modern postal networks, and remains a vital infrastructure for societies worldwide.

Did You Know?

• The word 'mail' comes from Middle English 'male', meaning a travelling bag or pack, and was spelled that way until the 17th century.
• The Persian postal system used stations called Chapar Khaneh, where couriers swapped horses for maximum speed.

From Stagecoaches to Satellites: How the Concept Evolved

For centuries, the phrase 'means of communication' carried a very different weight than it does today. Before the nineteenth century, people used the term almost exclusively to describe physical infrastructure and human messengers—railways, roads, canals, post riders, and stagecoaches that carried letters and goods across distances. The concept shifted dramatically in 1861 when the economist Albert Schäffle broadened the definition to encompass anything that aided the circulation of goods and financial services, explicitly listing newspapers, telegraphy, mail, courier services, remittance advice, invoices, and bills of lading under one umbrella. By 1895, the German newspaper Deutsches Wochenblatt observed that technical means of communication had advanced so far that 'everyone all over the world has become our neighbor,' a striking acknowledgment of how technology was collapsing geographic barriers. It was not until the twentieth century that the word 'medium' became a recognized synonym for these technical channels, and by the 1920s the phrase 'mass media' had entered common parlance, marking the point at which communication was no longer a local, face-to-face affair but a global, industrialized process.

The Anatomy of a Message: Sender, Path, and Content

Every act of communication, whether a whispered conversation or a broadcast reaching millions, follows a structural blueprint. At minimum, a communication event requires a triggering occasion, a sender, a recipient, a channel through which the message travels, and the content itself. The 'path' of that message can be tangible—a road serving as a transportation route—or entirely abstract, such as a computer network routing data packets. In organizational hierarchies, the vertical line of communication mirrors the chain of command, meaning that who speaks to whom is as significant as what is said. The content dimension is remarkably broad: it can be photography, raw data, graphics, spoken language, or written text. When scholars speak of means of communication in the narrower sense, they are referring specifically to the technical devices that carry these contents. These devices serve a dual purpose: they make information perceivable through the senses, and they replace the original person-to-person exchange with something reproducible, allowing the same message to be duplicated and distributed without the sender's continuous presence.

Beyond Words: The Spectrum from Gesture to Digital Signal

Communication is far more diverse than most people realize. At the most fundamental level, what scholars call 'natural' or 'primary' media include everything from speech and screaming to sign language, winking, and even the way people dress or arrange their living spaces—accentuations in food culture and construction all carry communicative weight. Moving up the spectrum, technical communication begins with the simple act of pressing characters onto paper or another substrate, creating letters and messages that outlast the moment of their creation. From there, the range expands to printed media produced by printing technology, to the playback of recorded sounds and images through tape recorders and projectors, to the transmission of speech over telephone lines or writing via telegraph, typically directed at a single recipient, and to satellite radio. In professional settings—businesses, agencies, and institutions—the 'means of communication' take on a documentary character: analyses, business cases, due diligence reviews, financial analyses, forms, business models, feasibility studies, scientific publications, and contracts all function as structured vehicles for transmitting complex information between parties.

One Voice, Many Ears: Mass Media and the Electronic Age

Mass media occupies a distinct position in the communication landscape because it inverts the usual sender-recipient ratio: a single source, or even a source that is less than one person in the case of an automated system, reaches a vast audience simultaneously or nearly so. This capability has been realized through several technological waves. Printed products—books, pamphlets, xerographic copies, posters, mail-merged letters, and newspapers—remain a foundational channel. Radio waves carry language and music to listeners, while television extends the same principle to visual images paired with sound. The Internet stands at the latest rung in this long chain of innovation, offering a platform that integrates and transcends all previous formats. Underpinning these channels are two broad categories of telecommunications: analog systems, which include certain radio configurations, historical telephony, and legacy television broadcasts, and digital systems, which enable computer-mediated communication, telegraphy, computer networks, digital radio, digital telephony, and digital television. Together, these technologies make it possible for the majority of a population to receive identical information at the same moment.